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Randy Brecker on practicing during the COVID-19 lockdown

I remember sitting in the back of a large music classroom at the University of Redlands in California almost three years ago. Jiggs Wigham was talking about all things trombone at that year’s International Trombone Festival.

Jiggs said something early on that has stuck with me ever since. He said, “I hate to practice.” I immediately felt bad for him and was glad that I really LOVE to practice.

If I didn’t love to practice, my trombone playing would sound as sad as it did in high school. Let’s just say it wouldn’t be impressive. But Jiggs IS impressive so no matter how he did it, he made himself into a great trombone player.

On a video call with Randy Brecker this morning, I was reminded of Jigg’s comment. I asked Randy what he is doing during this lockdown and social distancing period to keep his playing sharp.

One thing I’ve learned from conducting the interviews for Jazz Master Summit is that skill on one’s instrument comes from practice. It comes from doing the necessary work. Randy once asked John Faddis how he played those high notes and Faddis’ reply was that the secret is… that there’s no secret. It’s about figuring it out and then doing it over and over and over until you get really good at it.

I think there’s another aspect of getting good that I constantly hear from great players. They have an itch they can’t seem to ever scratch for continually getting better, and a recognition that gaps exist in their playing that they must plug.

As you listen to Randy talk about his playing, you might think you’re listening to an average trumpet player who’s aware that he needs to woodshed his technique. But it’s not. This is from a guy who just this week received his latest shiny Grammy to add to his collection. Do you think his work ethic might have anything to do with being awarded seven Grammys?

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Michael Lake

Trombonist, author, marketer, & tech guy

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Inception
Cinematic @ 68 bpm
Inception
Cinematic @ 68 bpm
Milky Way
Ethereal @ 100 bpm
Milky Way
Ethereal @ 100 bpm
I-VI-II-V
Jazz @ 140 bpm
I-VI-II-V
Jazz @ 140 bpm
Caribbean Express
Salsa @ 165 bpm
Caribbean Express
Salsa @ 165 bpm
Dawn of a New Day
Soul @ 85 bpm
Dawn of a New Day
Soul @ 85 bpm
Spinning Top
Jazz Waltz @ 140 bpm
Spinning Top
Jazz Waltz @ 140 bpm
Sails Full Open
Contemporary @ 120 bpm
Sails Full Open
Contemporary @ 120 bpm
Summer's Dawn
Jazz Waltz @ 110 bpm
Summer's Dawn
Jazz Waltz @ 110 bpm
The Benji Pad
Ethereal @ 100 bpm
The Benji Pad
Ethereal @ 100 bpm
St. Thomas Block Party
Calypso @ 114 bpm
St. Thomas Block Party
Calypso @ 114 bpm
Island Mines
World Music @ 112 bpm
Island Mines
World Music @ 112 bpm
Disco Marley
Reggae-ish @ 110 bpm
Disco Marley
Reggae-ish @ 110 bpm
Earthen Choir
Ethereal @ 92 bpm
Earthen Choir
Ethereal @ 92 bpm
Jungle Dance
Cinematic @ 130 bpm
Jungle Dance
Cinematic @ 130 bpm
Bailey's Waltz
Jazz Waltz @ 110 bpm
Bailey's Waltz
Jazz Waltz @ 110 bpm
Afternoon Daydreaming
Samba @ 90 bpm
Afternoon Daydreaming
Samba @ 90 bpm
Galactica
Epic @ 100 bpm
Galactica
Epic @ 100 bpm
Lush Life
Funk @ 90 bpm
Lush Life
Funk @ 90 bpm
Eleuthera
Bolero @ 90 bpm
Eleuthera
Bolero @ 90 bpm
Good Bye
Ethereal @ 90 bpm
Good Bye
Ethereal @ 90 bpm
Southside Strut
Funk @ 100 bpm
Southside Strut
Funk @ 100 bpm
Standing outside
Bossa @ 150 bpm
Standing outside
Bossa @ 150 bpm
Groovy Jazzy
Jazz funk @ 112 bpm
Groovy Jazzy
Jazz funk @ 112 bpm
Sound Refuge
Eclectic - no temp
Sound Refuge
Eclectic - no temp
Dreaming of Mars
Static harmony without a tempo
Dreaming of Mars
Static harmony without a tempo
Beat Sweeper
Jazz @ 180 bpm
Beat Sweeper
Jazz @ 180bpm
Cruisin'
Fast Americana @ 224 bpm
Cruisin'
Fast Americana @ 224 bpm
Contemplation
Smooth @ 120 bpm
Contemplation
Smooth @ 120 bpm

This is just a fake book example for the type of website I can build for you. Just trying to use a little humor here!