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Improvisation Savvy

Foundation

Introduction to Improvisation Savvy Sample Lesson

Skills Assessment Sample Lesson

Playing Songs by Ear

Find Your Voice Sample Lesson

Finding Your Voice – quiz

Jazz Theory

Introduction to Jazz Theory

Playing Over One Key Sample Lesson

Basic theory after lesson 2 – quiz

Basic Solo Analysis

Basic solo analysis – quiz

Playing Over the Blues

Playing the blues – quiz

Blues Solo Analysis

Blues Solo Analysis – quiz

Playing Over Complex Changes part 1

Playing over Complex Changes 1 – quiz

Playing Over Complex changes part 2

Playing over Complex Changes 2 – quiz

Playing Over Complex Changes part 3

Playing over Complex Changes 3 – quiz

Hearing the Circle of Fifths

Circle of Fifths – quiz

Advanced Circle of Fifths

Hear the Music

Introduction to Hearing the Music

Connecting Your Ear to Your Instrument Sample Lesson

Connecting Ear to Instrument – quiz

Listening to the Sounds Around You

Note Discovery for Ear

Note Discovery for Ear – quiz

Harmonic Anticipation

Harmonic Anticipation – quiz

Learning a Tune

Learning a Tune – quiz

1 of 3

Previous Lesson

Basic theory after lesson 2 – quiz

Improvisation Savvy
Playing Over One Key
Basic theory after lesson 2 – quiz

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Question 1 of 4

1. Question

What is the V chord within D major?

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C minor 7
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A half diminished 7
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F7
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A7
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G minor 7
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Question 2 of 4

2. Question

Of the following three progressions, which one is most commonly used?

II-VI-I
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I-III-V
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IV-V-I
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I-II-III
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Question 3 of 4

3. Question

The numeric designation of chord corresponds to what? For example, the designation of V or I or II

The importance of the chord relative to the key center
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The position of a chord root relative to the number of steps from the root of the key.
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The color of the chord (major, minor, diminished, etc…)
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The position of that chord within the form of the tune
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Question 4 of 4

4. Question

It’s always best to think in terms of scales and chord tones rather than key centers while you improvise.

True
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False
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