Author name: Michael Lake

Jazz/ latin trombonist, author, multimedia, marketer

Point and counter points on the 'who wrote Nardis' argument

Point and counter points on the ‘who wrote Nardis’ argument

One of the most popular pages on MusicSavvy.com is the post I wrote a while back called “Who Really Wrote Nardis.“ That article came from several discussions with Richie Beirach who is a passionate believer that Bill Evans wrote Nardis. End of story. I thought it would interesting to use Jazz Chat to pull out the

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How to develop your musical personality and style

How to develop your musical personality and style

Think about playing using your right (creative) brain. It’s the part of your brain that, if connected well to your instrument, allows for the most personally authentic improvisation. Once you hear a note, you’re better finding it on your instrument or playing around it harmonically. Your instrument becomes the amplifier of your musical “voice”. But

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How to learn improvisation through the "Circle" in the Jazz Circle membership

How to learn improvisation through the “Circle” in the Jazz Circle membership

The word “circle” within the name Jazz Circle membership has two meanings. The first is a reference to a group of people all sharing a common goal – in this case, how to learn improvisation. The second meaning is what I want to describe that refers to the Music Savvy courses and platforms that reinforce each other,

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The Benefits of the Ear to Instrument Connection

The Benefits of the Ear to Instrument Connection

I recently watched a video performance by the amazing classical pianist Yuja Chang. I’ve seen her memorizing motion and heard her virtuosic playing before, but something hit me after seeing this latest performance. She is an example, as all at her level are, of the wider benefits of the musical ear to instrument connection. Yuja

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