At some point in the future, I want to create a product/service that helps musicians with their internet presence and marketing needs. As I look around, so many musicians desperately need help with this important element of their professional lives. Twenty years ago, we all thought, “I need a web site!” So we built one…
Last night I was asked for the one absolute best way to connect one’s ear to the instrument in order to improve jazz improvisation. Let’s think about that. Can you imagine a tone right now? Maybe it’s in your imagination or maybe it’s something you hear from a motor or alarm or something external. Now,…
I recorded a conversation yesterday with Richie Beirach and published the result into an eBook paying tribute to Charlie Parker. After all, Bird’s 100th birthday was very recent Richie was his usual candid and insightful self, offering up a rich serving of perspective on Bird’s music, influence, and legacy. If you have been following the…
Dave Liebman and I are finishing a book called The Art of Skill. The book contains Dave’s advice on becoming a better jazz player, biographical reflections, and thoughts on how one goes about finding their own unique musical voice. The book consists of edited conversations between Dave and me, updated articles and talks by Dave,…
There is a lot of controversy surrounding the idea of playing tunes in alternative keys as a method for learning to improvise. I am on an email distribution involving dozens of well-known jazz masters and the other day we all received an email written by one of those musicians who is also a top jazz…
“Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.” – de Saint-Exupéry Richie Beirach and I published our first soft cover book last week titled A Framework for Jazz Mastery. In that first week we sold far more than we anticipated. Thank you! We…
Ever since the Jazz Master Summit, a lot more people are using Jazz Patterns for Ear. Because it is such a different book, people have been asking a lot of questions regarding how it works. This book/method is the polar opposite of any pattern book you’ve seen. The patterns are NOT designed to be memorized…
I’ve received a few emails since announcing the winner of the Billy Strayhorn composition challenge asking about the selection criteria and why personalized feedback wasn’t provided. It’s understandable that people would like some closure to the competition other than simply knowing who won. “Why didn’t I win?” “What was the criteria for choosing the winner?”…
This post is a response to a specific thread shared by some musicians on the fate of jazz and the result of so much now being free on the internet. This is a vitally important topic and one on I wish to share my thoughts, using my current internet project as an example of one…
I had the pleasure this week of speaking via Zoom to the brass students and professors at Arizona State University. Thank you to Brad Edwards for thinking a little outside the box by inviting me and for setting it all up. In his invitation to everyone, Brad highlighted the book I wrote with Dr. Rodney…